Home Forums Teaching About Asia Forums Film Festival Is it the audience or is it the producers?

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    Rob_Hugo@PortNW
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    Browsing the international section of Netflix trying to find an East Asian film to review for use in my class, I was dismayed to find that the majority of East Asian films selected by Netflix were fight films. A simple catalogue of titles gives example to the category of film they represent:
    Rumble in the Bronx
    Kung Fury
    Kung Fu Killer
    Flowers of War
    Fist Legend
    The Golden Cane Warrior
    War of the Arrows
    Iron Monkey
    14 Blades
    The Enforcer
    Little Big Soldier
    Body Guards & Assassins
    Warlords
    Lady Ninja
    Gun Woman
    Sword & Assassin
    Blood Ties
    Confession of Murder
    Executions from Shaolin
    The Warrior
    Drug War
    Zu Warriors
    (this is a VERY small list of titles I included - some had martial arts characters reflected in their cover photo even if the title wasn't suggestive of violence)_

    The best known actors imported from East Asia are Bruce Lee, Jet Li, and Jackie Chan.
    Is this a reflection of what the US expects from Asia or what is going on culturally that this represents the majority of films being produced there? If this is indeed typical of Eastern Asian films, what is going on culturally & psychologically that this is their form of entertainment? It was difficult to find a romantic comedy typical of India, or a cultural critique common of south American movies. Or even a biopic of a celebrated Asian hero. With a history so rich in philosophy, food, the arts, I'd expect a broader range of genres.

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