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I attended Professor Denton’s webinar on Politics of Museums and Memorial Culture in Post-Martial Law Taiwan. He discussed the content, changes, funding and social function of museums in Taiwan and explained how they have changed since the lifting of martial law and the introduction of multiple party democracy. I was especially interested in how some modern museums include displays and artifacts from Taiwan’s aboriginal people, and why that information had been previously repressed. I compared it to the history curriculum in my home state of Washington, where we include information from “Time Immemorial” about the people’s native to our areas. I also enjoyed the discussion of what it means to be Taiwanese, and how a museum asks that question encouraging everyone, even foreign visitors, to see themselves as part of the Taiwan culture and experience. I compared it to the ideal of the American melting pot, where everyone can experience and contribute to a vibrant and evolving culture. I was also surprised by the inclusion of positive aspects of the Japanese imperialist period.
I went to the Seattle Art Museum and focused on two exhibits: "Northwest Modernism: Four Japanese Americans" and "Folding into shape: Japanese Design and Crafts." My favorite artist from the first exhibit Is George Tsutakawa. The art is very abstract but seems to flow from one corner to the next. When I read that he is also known for fountains, I realized that he designed the fountain in the quad at Seattle University. It was installed at the beginning of my freshman year. The folded art exhibit was my husband's favorite. The exhibit included kimonos and baskets. The coolest was a stoneware piece shaped to look like cloth folded around a basket. At first glance I thought it was cloth. It reminded me of how Michaelangelo made marble look like cloth. There was also an origami purse/tote bag that my daughter thought would be very useful.
Picture Slideshow: https://drive.google.com/file/d/1iymkoa0fietdglfI9P8koTzcYrp1VKeA/view?usp=sharing
The Huntington Chinese Garden is named Liu Fang Yuan 流芳園, the Garden of Flowing Fragrance. I listened to the audio tour while exploring the garden and its beautiful buildings. The sound of flowing water and the lake is supposed to elicit a reminder that “we are part of the natural world.” This was extremely accurate. I learned about how the garden and architecture was inspired by the classical-style Chinese gardens in southeast China. Liu Fang Yuan is inspired by the gardens of Suzhou, a city near Shanghai. According to the Huntington website, during the Ming dynasty (1368–1644), wealthy scholars and merchants there built tasteful private gardens combining architecture, waterworks, rockeries, plants, and calligraphy. I would like to take my students on a field trip or a virtual tour via photographs. Students would be given an opportunity to draw one part of the garden/architecture and label the materials used by the craftspeople that designed it. Students will be able to identify materials used and the characteristics of traditional Chinese Gardens. We could then compare it to the garden near our school campus.
I was invited to a group to discuss a Japanese style of game called Sugoroku. This type of game is like Chutes and Ladders, but is richly colored and detailed on the board. These are boards are mass produced in magazines and newspapers during and after World War II. These provided not only entertainment, but also were a teaching tool. The game board we focused on taught about the making of the atomic bombs. The main characters on the board are a Neutron, Proton, Electron, and a Meson. Each square on the board will depict a fact about how these parts of the atom are involved with an atom, and later with the construction of an Atomic bomb (nuclear fusion). It also shows the key scientists involved in atomic research and bomb development.
These board games are a way to teach the Japanese citizens a bout new concepts and craft a national identity and rules of morality. It is very similar to government propaganda.
Check out the sugoroku board games at these links:
Types of Games: https://blogs.princeton.edu/cotsen/2013/12/japanese-board-games/
Atomic Sugoroku explanation: https://www.youtube.com/watch?v=h9QfKKlYktA
Slideshow photos: https://drive.google.com/file/d/1cANpWdepUbGjdSD-3BZmkyT2rUegNPfU/view?usp=sharing
I traveled to Manzanar this week, which I have driven by a few times, but had never toured. I used the map to explore the exhibits. I learned about some of the conditions in which families faced when arriving at Manzanar. The "housing" was bare, scorpions everywhere, sand and other natural elements in every corner, limited access to toilets, and crowded sleeping arrangements. As I toured, I felt anger at the racist and inhumane treatement of Japanese Americans and at the same time awe at the hard work of the incarcerated Japanese families to turn a desert into a community. It would be powerful to take a field trip with 5th grade students here, however, that is not likely to happen due to the long distance. The following aspects of Manzanar that stood out to me were: the schools, the community garden, the recreational spaces, and the orchards.
I learned that students graduated from Manzanar and went on to colleges and careers. However, in the early days in Manzanar, there were not schools, and it became a priority when children were struggling with the harsh conditions of their incarceration. The task of providing education was taken up incarcerated Japanese educators and WRA staff. WRA teachers were paid over 10 times as much as their incracerated counterparts. This type of treatment was the norm at Manzanar.
The park called Merritt Park was built in 1943 and was designed by Kuichiro Nishi, an internee landscape designer, to lift the spirits of the community. It was 1.5 acres filled with trees, paths, waterways, and flowers. The photographer Ansel Adams captured its beauty, but all that remains are the uncovered stones and structures. After the camp was closed, the government covered it in dirt and sand. However, in 2008, Nishi's family helped to uncover the park! It would be amazing to compare the Ansel Adams photograph with the current state of the park with students.
In addition to the schools and gardens, there were basketball courts, a baseball field, and recreational halls. These spaces were critical to the children and adults in building social connections and finding leisure in the context of this internment camp. Accordining to one display, the love of baseball was very high and that prevailed throughout the period of incarceration. To be clear, it is a testament to the wrongfully incarcerated Japanese Americans that these spaces were built.
One of the central areas of the camp included an orchard. The trees are still there today! One of the many jobs of detainees was farming and harvesting. While walking through the orchard, I wondered about the undisclosed profits that the government recieved from underpaying Japanese workers to run this orchard along with other products manufactured at the camp.
In sumary, I found the tour to be extremely unsettling because of the actions of the US government and WRA staff in forcing 10,000 Japanese American families to move to Manzanar. However, it was an overall important experience for me. I believe the interactive nature of the Manzanar Historic Monument is condusive to supporting students' understanding of WWII's war hysteria and the race prejudice that went into the unjustfied and irreparable creation of Japanese Internment camps in America. In order to honor the people that suffered in Manzanar (and other camps), it is important to preserve Manzanar and not sugar-coat the experience of the wrongly incarcerated.