Often times, plastic surgery is an attempt to meet a criteria that is forced upon us by another ethnicity or Western standards. Though its original purpose was to correct malformations from accidents, disease, or misshapen attributes, plastic surgery has trickled down to the masses.
Julie Chen, the wife of the former president of CBS, was criticized as an Asian American because she did not meet Western beauty standards. In an interview about her early days in American broadcast journalism, her supervisor said "...her eyes make her look like she is always tired..." Cultural pressures such as these led Julie to undergo radical facial surgery in order to appeal to Western audiences and thereby advance her career.
I have noticed, with the celebration of women's curves, especially fuller hips (gluteus minimus and gluteus maximus) that are celebrated on celebrities such as JLO, Cardi B, Meagan Thee Stallion, LIZZO, and Kim Kardashian, there has been some cultural spill over. Women of European and Asian decent are embracing implants for their hips in order to mimick the silhouette of popular music artists, which is something I never saw coming. Enhancment procedures usually take place in Mexico, Thailand, and other countries outside the US as it is exponentially cheaper to fly, reserve a hotel room, tour, eat, pay for the medical procedures and recover at a fraction of what it would cost in the US.
kimbap and jjampong,
I consider food as a way to embrace differences in other cultures. My consumption of foods other than those which are associated with my heritage, becomes an icebreaker at lunch or when sharing a meal. The article,
surprised me in that Koreans had to contend with food that served as a reminder of Japanese colonialism, while forging its own Korean identiy. What does not surprise me is the transnationalism of dishes in and around the Korean penninsula. Shows such as Anthony Bourdain's adventurous foodie romp with multicultural cuisines, piqued my palate. My taste in food, much like my taste in music, is eclectic. However, there are some foods that I refuse to consume: live octipus, silk worm larve (or any larve). If my food is fighting me, let it live.
Zombie genre movies such as, "Train to Busan", "Carter" and "Train to Busan II: Peninsula", as well as class mobility (or lack thereof) in films such as "Parasite" depict the human experience. It is a subtle way to introduce Korean culture and society to American audiences. From movies to beauty products, to KPOP, their soft power has many Americans seekng out Korean restaurants, Korean series, and, for some, Korean language lessons and travel to South Korea.
I appreciate Korean movies and series spoken in the original language. Sometimes dubbing, especially if it is poorly dubbed or acted, detracts from the essence of the film. Netflix's "Carter" (2022) is a good example of genre bending in Korean cinema. Think James Bond, meets Mission Impossible franchise (2012 - 2020), meets, Kingsman: The Secret Service", meets Train to Busan. The stunts were a bit exhausting, but were an essential part of the film.
For those who watch Zombie movies, it becomes clear that class, ethnicity, and society structures come into play. Glocalization is a new term for me. I appreciate the author's reference to the history of the term "Zombie", which has its roots in the enslavement of Africans in America.
Here are some recent articles and video regarding conditions within the "re-education camps" in Xianjing, China.
https://news.yahoo.com/uighur-man-recorded-life-inside-094559396.html
I beg to differ with one opinion from Lopez's interpretation about a New Testament story regarding John the Baptist. In the USC East Asia forum, this reading claims that the story of John the Baptist, as well as the Gospels of Mark and John were plagerized from Buddhist encounters in Asia. There may be multiple stories citing a John, Mark, or John the Baptist type or figure, but that does not mean that these New Testament events were "borrowed" from a previously written Buddhist text or oral history.
Personally, I have always enjoyed Classical music as a way to reflect, relax, and decompress.
I have found that Chinese students and Russian students love classical music, but also enjoy other forms of music as well. "Old things have become new" as "nerdy" pursuits have become cool again.
Chinese classical musicians were very passionate about Classical music to the extent that they took their own lives when the Cultural Revolution forbade Western influence in any form. Perhaps for those musicians it was the only feeling or source of freedom remaining.
China's use of classical music as "soft power". China's heavy consumption of Classical music, due to its 1 billion possible consumers, has saved Classical music from near extinction save for aficionados of: chamber music, orchestral performances, and operas.
China's relentless pursuit of "high culture" through Classical music seems anathema to the Cultural Revolution that derided it. With the "One Child Policy" in different regions of China, parents felt that it was their duty to raise a child who excelled in everything: academics, music, sports. Though realistically speaking every child, no matter how bright, can be valedictorian. Chinese lead the way in Classical music consumption as a reflection of their upward economic mobility in the world.
Music, in and of itself is always changing and developing, giving its own interpretation to the listener. Psychologically speaking, music takes us to places of exhuberance and rememberance, easing the process of pain in its wake. For some listeners, heavy metal releases the rage, while others extole the virtures of big band music, pop music, jazz, classical, and gospel.
For students who do not like history, music is a great way to engage them.
Yo Yo Ma's Silk Road Ensemble provides an excellent musical map of the Silk Road(s) through East Asia, Central Asia, and the Middle East and Africa.
"The development of the SSO tracks the shifting sands of Shanghai’s interface with external cultures."
Music gave Chinese people an outlet of choice, but also a connection to the rest of the world. Classical music was exotic when it first arrived in China, as were its instruments. It is common for any culture to take food, art, music from afar and make it its own. China has accomplished this.
A few psychologists opine that babies and toddlers who listen to classical music (Bach, etc.) have better math and science aptitude.
Music evokes emotion. For many, playing music or listening to music provides escapism. Perhaps this is why learning to play Classical music took hold in China. It served as a form of rebellion and sabotage against govenmment imposed restrictions in addition to the common pressures of life.
Though Chinese consider classical music a reflection of high society, Russians consider jazz music and Louie Armstrong just as valuable. Some Classical music purists view jazz as a cacaphony of mindless folly, however, if one were to study jazz in its history and composition, it is far more complicated than classical concertos.
If music is form of rebellion, then jazz is a coop.
Russia, by comparison, leans heavily towards jazz, though its classical composers, like Rachmoninov, are numerous. One modern Russian jazz composer was facinated by the ecclectic rhthym of jazz. It's the notes that you don't play that makes jazz so unique. With its variations, jazz was an escape from Russia's classical, marching band, nationalistic style of instrumental music that is typical in the former (USSR) Russia and China.
Students are always ready to discuss music, what they like, etc. There musical tastes spread far beyond ethnomusicology to trap, rap, punk, etc. A lesson on ethnomusicology would be a great way to introduce China, Korea and the like using a comparative model. I would include the rebellious nature of music as well to explain how music, even classical music, was used as a form of political and social protest in China. Dynastic Chinese rule and the resultant Cultlural Revolution are great examples of this type of protest. Chance the Rapper is very poetic in his discourse of social issues.
Students can discuss and write about current forms of popular music that serve as protestations to current events.
Shane,
Thank you for the plethora of resources! It is greatly appreciated.
Juana,
China has to be more conciliatory towards its Muslim population as continued oppression may lead to armed conflict and large scale rebellion. Now that China has had to pause its expansion of the BRI to focus on internal concerns and unrest, perhaps it will reconsider how China's Muslims factor in "...the shifting context of Islam..." in a Chinese setting.
Natalie,
I find that many of my students would see similarities between how minorities in China are treated as compared to minority communities in the United States. It would lend itself as a great economic lesson and debate about how minorities fare economically as compared to the majority population in which they reside.